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While our hero was employed in this transaction, Renaldo sallied forth in a sort of intoxication, which Fathom’s admonitions had inspired; and, repairing to a certain noted coffee-house, engaged at chess with an old French refugee, that his attention, by being otherwise employed, might not stray towards that fatal object which he ardently wished to forget. But, unluckily for him, he had scarce performed three moves of the game, when his ears were exposed to a dialogue between two young gentlemen, one of whom asked the other if he would go and see the “Orphan” acted at one of the theatres; observing, as a farther inducement, that the part of Monimia would be performed by a young gentlewoman who had never appeared on the stage. At mention of that name, Renaldo started; for though it did not properly belong to his orphan, it was the appellation by which she had been distinguished ever since her separation from her father’s house, and therefore it recalled her to his imagination in the most interesting point of view. Though he endeavoured to expel the image, by a closer application to his play, every now and then it intruded upon his fancy, and at each return made a stronger impression; so that he found himself in the situation of an unfortunate bark stranded upon some hidden rock, which, when the wind begins to blow, feels every succeeding wave more boisterous than the former, until, with irresistible fury, they surmount her deck, sweep everything before them, and dash her all to pieces.

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